Publications by Robert Morris

Books

1990
Class-Notes for Atonal Theory. Frog Peak Press.

1987
Composition with Pitch-Classes: A Theory of Compositional Design. Yale University Press.

Articles

1998
Introduction to Panorama of Music Theory, 1987-97," Music Theory Online, 4.2.

1998
"Some Remarks on Odds and Ends," accepted for publication in Perspectives of New Music.

1998
"Voice Leading Spaces," accepted for publication in Music Theory Spectrum.

1998
"Not Only Rows in Richard Swift's Roses Only," accepted for publication in Perspectives of New Music.

1997
"The Structure of First-Species Canon in Modal, Tonal and Atonal Musics," Intégral, vol 9.

1997
"K- Kh- and Beyond," in Music Theory in Concept and Practice, James Baker, David Beach, and Jonathan Bernard, eds., Rochester University Press.

1995
"Equivalence and Similarity in Pitch and their Interaction with Pcset Theory," Journal of Music Theory 39-2.

1995
"Compositional Spaces and Other Territories," Perspectives of New Music 33/1-2.

1995
"Recommendations for Atonal Music Pedagogy in General; Recognizing and Hearing Set- Classes in Particular," Journal of Music Pedagogy.

1995
"Conflict and Anomaly in Bartòk and Webern," in Musical Transformations and Musical Intuition, edited by Raphael Atlas and Michael Cherlin, Ovenbird Press.

1995
"Aspects of Confluence between Western Art Music and Ethnomusicology," in Concert Music, Rock, and Jazz since 1945: Essays and Analytic Studies edited by Elizabeth Marvin and Richard Hermann, University of Rochester Press.

1994
"New Directions in the Theory and Analysis of Musical Contour," Music Theory Spectrum, 18/2.

1993
"Modes of Coherence and Continuity in Schoenberg's Piano Piece, Opus 23/1," Theory and Practice 17.

1990
"Some Compositional and Analytic Applications of T-Matrices," Intégral, vol 3.

1990
"Pitch-Class Complementation and its Generalizations," Journal of Music Theory, 34.2.

1988
"The Even Partitions in Twelve-Tone Music." (with Brian Alegant) Music Theory Spectrum 10:80-101.

1988
"Generalizing Rotational Arrays." Journal of Music Theory 32:204-45.

1984
"Set-Type Saturation Among Twelve-Tone Rows." Perspectives of New Music 22/1-2.

1983
"Combinatoriality without the Aggregate." Perspectives of New Music 21/1-2:432-86.

1982
"Set-Groups, Complementation, and Mappings." Journal of Music Theory 26:101-44.

1980
"A Similarity Index for Pitch-Class Sets." Perspectives of New Music 18/1-2:445-60.

1977
"On the Generation of Multiple Order Number Twelve-tone Rows." Journal of Music Theory 21:238-63.

1977
"A General Theory of Combinatoriality and the Aggregate (parts I and II)." (with Daniel Starr) Perspectives of New Music 16/1:3-35, 16/2 (Spring-Summer 1978):50-84.

1977
"More on 0,1,4,2,9,5,11,3,8,10,7,6." In Theory Only 2/7:15-20.

1976
"Notes for Motet on Doo-dah." *Asterisk, A Journal of New Music 3/2.

1974
"The Structure of All-Interval Series." (with Daniel Starr) Journal of Music Theory 8/2:364-89.

1974
"The Yale Electronic Music Studio." National Center for Audio Experimentation Newsletter IV/7.


Review Essays

1995
"Review of Musical Form and Transformation: 4 Analytic Essays by David Lewin," Journal of Music Theory 39-2.

1982
"Review of The Technique of Electronic Music by Thomas Wells, and Tape Music Composition by David Keane." Journal of Music Theory 26:331- 48.

1982
"Review of John Rahn's Basic Atonal Theory." Music Theory Spectrum 4:138-154.


Reviews

1989
"Review of Classical Music of South India: Karnatic Tradition in Western Notation by Kanthimathi Kumer and Jean Stackhouse, Journal of Musicological Research .

1988
"Review of the 1987 International Conference of Computer Music (at the University of Illinois, at Champaign-Urbana)" (with Joann Kucera Morin) Perspectives of New Music 27/1.

1985
"Review of The Music of Elliott Carter" by David Schiff." The Journal of the American Musicological Society 38/2:183-190.

1983
"Record review of IRCAM, un Portrait." The Musical Quarterly 69/3:454-6.

1980
"Review of Charles Wuorinen's Simple Composition." Theory and Practice 5/1:66-72.